All unknow artist 's Paintings
The Painting Names Are Sorted From A to Z


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Choice ID Image  Paintings (From A to Z)       Details 
73292 Studlhutte im Jahre  Studlhutte im Jahre   Studlhutte im Jahre 1874 cjr
72592 Study for Welch Mountain from West Compton  Study for Welch Mountain from West Compton   Date ca. 1856(1856) Medium Oil on paperboard Dimensions 20.6 X 31 cm (8.11 X 12.2 in) cyf
71456 Study for Welch Mountain from West Compton, New Hampshire  Study for Welch Mountain from West Compton, New Hampshire   ca. 1856(1856) Oil on paperboard 20.6 x 31 cm (8.11 x 12.2 in)
27368 Study of a bearded old man,possibly a hermit,half-length  Study of a bearded old man,possibly a hermit,half-length   mk56 oil on canvas,unframed Circle of Jusepe de Ribera,called lo Spagnoletto
79839 Study of Hawaiian Fish  Study of Hawaiian Fish   1898(1898) Oil on canvas cjr
49686 Sturt and his foljeslagare wonder kartmatning wide farden to the interior of Anustralien 1844-45  Sturt and his foljeslagare wonder kartmatning wide farden to the interior of Anustralien 1844-45   mk199
45700 Style life with hobem beer glass  Style life with hobem beer glass   MK186 1653 Oxford, Ashmolean museum
45575 Style life with strawberries and Artischocken  Style life with strawberries and Artischocken   mk186 around 1650 Poggio a Caiano, villa Medicea, Museo della Natura Morta
76064 Sultan Abdulmecid.  Sultan Abdulmecid.   1850-1859 Oil on canvas 81.5 ?? 60 cm (32.1 ?? 23.6 in) cjr
34205 Sultan Husayn Mirza in mystical contemplation of the rose  Sultan Husayn Mirza in mystical contemplation of the rose   mk90 Detail of the frontispiece to the manuscrept of the Bustan
34169 Sultan Husayn on this throne  Sultan Husayn on this throne   mk90 Detail from the Illustration
34190 Sultan Muhmud of Ghazni depicted as a young Safavid prince visiting a hermit  Sultan Muhmud of Ghazni depicted as a young Safavid prince visiting a hermit   mk90 Mashhad c.1577-88
72178 Sultan Sanjar and the Old Woman  Sultan Sanjar and the Old Woman   between 1735(1735) and 1765(1765) Oil on canvas 91.4 X 88.9 cm (35.98 X 35 in)
73798 Sultan Sanjar and the Old Woman  Sultan Sanjar and the Old Woman   Date between 1735(1735) and 1765(1765) Medium Oil on canvas Dimensions 91.4 X 88.9 cm (35.98 X 35 in) cyf
76323 Sultan Selim III in Audience  Sultan Selim III in Audience   1803(1803) Medium English: Oil cyf
74854 Sultan Selim III in Audience.  Sultan Selim III in Audience.   1803(1803) Oil cjr
74000 Summer Pastoral, Bresle Valley  Summer Pastoral, Bresle Valley   Digital Reproduction of an original oil painting "Summer Pastoral, Bresle Valley" by Emile van Marcke de Lummen. Français : Summer Pastoral, Bresle Valley cjr
74001 Summery landscape  Summery landscape   "Summery landscape", oil painting on wood, 39 x 34 cm, by Louis Robbe (1806-1887); private collection cjr
75501 Summery landscape  Summery landscape   English: "Summery landscape", oil painting on wood, 39 x 34 cm, by Louis Robbe (1806-1887); private collection cyf
49723 Sun Royal  Sun Royal   mk203 barley 1669,var one of they fornamsta farygen in Ludvig XIV.
71251 sunday  sunday   mk290 1888-1890 59x59in private collection
73542 Sunday Evening  Sunday Evening   Oil painting on canvas cjr
41881 Sunday of the Triumph of the Orthodoxy  Sunday of the Triumph of the Orthodoxy   mk165 Melkite icon of the 18century
49241 Sunday Review at Bayley Cross Roads  Sunday Review at Bayley Cross Roads   mk195 1861 Watercolor on paper 6x9
26613 Sunlit Farm  Sunlit Farm   mk51 Watercolor 10x14
73265 Sunrise at Batz-sur-Mer  Sunrise at Batz-sur-Mer   Oil painting reproduction of Ferdinand du Puigaudeau. cjr
56895 Sunrise in the thin Zachary  Sunrise in the thin Zachary   mk250 year in 1660-1670. Matt watercolor, gold and silver paper-winged canopy, 24.8 x 21 cm. Philadelphia, Barack ovens private collections.
74003 Sunset at sea  Sunset at sea   "Sunset at sea", oil painting on canvas (34 x 44 cm), door Romain Steppe (1859-1927); private collection cjr
75502 Sunset at sea  Sunset at sea   English: "Sunset at sea", oil painting on canvas (34 x 44 cm), door Romain Steppe (1859-1927); private collection cyf
73172 Sunset by the Sea, Brittany  Sunset by the Sea, Brittany   Oil painting reproduction of Ferdinand du Puigaudeau cjr
73549 Sunset in Briere I  Sunset in Briere I   Oil painting reproduction of Ferdinand du Puigaudeau. cyf
73168 Sunset in Briere II  Sunset in Briere II   Oil painting reproduction of Ferdinand du Puigaudeau. cjr
73543 Sunset in Briere III  Sunset in Briere III   English: Oil painting reproduction of Ferdinand du Puigaudeau. cyf
79490 Sunset in the Forest  Sunset in the Forest   1878 Oil on canvas 106.5 x 81 cm (41.9 x 31.9 in) cjr
73547 Sunset of the Breton Coast  Sunset of the Breton Coast   : Oil painting reproduction of Ferdinand du Puigaudeau. cyf
73162 Sunset on the Coast  Sunset on the Coast   Oil painting reproduction of Ferdinand du Puigaudeau. cjr
73156 Sunset on the Grande Briere  Sunset on the Grande Briere   Oil painting reproduction of Ferdinand du Puigaudeau. cjr
79715 Sunset on the Passaic  Sunset on the Passaic   1891(1891) Source Honolulu Academy of Arts cyf
57178 Supremacists No. 58  Supremacists No. 58   mk253 oil painting in 1916 in St. Petersburg, Russia museum
75103 Sur la place ensoleillee de l eglise  Sur la place ensoleillee de l eglise   Date 19th century Medium Oil on panel Dimensions 52 X 40 cm (20.47 X 15.75 in) cyf
49234 Surprise of the Pickets at Peck-s House  Surprise of the Pickets at Peck-s House   mk195 1861 Watercolor on paper 6x9
63846 Surrender of the Burghers of Ghent in  Surrender of the Burghers of Ghent in   . 1454 Illumination on parchment, 20,8 x 14,7 cm ?sterreichische Nationalbibliothek, Vienna The miniature comes from the manuscript Privileges and Statutes of Ghent and Flanders, the artist is referred to as the Master of the Privileges of Ghent and Flanders. Philip the Good had this manuscript written and magnificently illuminated after his decisive victory over the citizens of Ghent. The full-page miniature faithfully depicts the scene described in the text, when the defeated burghers came out to meet Philip wearing only their shirts or a black robe, barefoot and bareheaded, and had to beg for mercy. We can see them surrendering their guild banners, symbols of civic self-determination.Artist:MINIATURIST, Netherlandish Title: Surrender of the Burghers of Ghent in 1453 Painted in 1451-1500 , Flemish - - illumination : historical
73507 Susanna.  Susanna.   Medium ? Dimensions ? X ? cm cyf
77907 Suspicion  Suspicion   "Suspicion", 28.5 x 38 1/4" oil-on-canvas painting by Herbert William Weekes (fl. 1864-1904) This is a faithful photographic reproduction of an original two-dimensional work of art. The original image comprising the work of art itself is in the public domain because its copyright has expired. Under UK copyright law, originality of expression is necessary for copyright protection, and a mere photograph of an out-of-copyright work may not be protected under UK copyright law. This photographic reproduction is therefore also in the public domain. cjr
61301 svaalt och hungersnod fran tiden for franska revolutinen  svaalt och hungersnod fran tiden for franska revolutinen   mk274 svaalt och hungersnod fran tiden for franska revolutinen
59851 svarttjarn  svarttjarn   mk269 1852 olja pa duk 108 x 155.5 cm privatago
57158 Swan Princess  Swan Princess   mk253 canvas 142.5 x 93.5 cm Moscow in 1900, the State Tretyakov Gallery collection
49568 Swede arm gar over river Lech  Swede arm gar over river Lech   mk201 It was in this knock the katolske faltherren To Sarajevo to dods. Whys did cinnamon the lattare ago equestrienne that attend to over river
48906 Swede landskap,motiv stamp Kolmarden  Swede landskap,motiv stamp Kolmarden   mk187 1866 Oil slick pa screen 169x226cm
48898 Swede watercolour  Swede watercolour   mk187 1856 Oil slick pa screen 85.5x71.5cm
62504 Swiss Guard and Wounded Veteran  Swiss Guard and Wounded Veteran   1819 Lithograph, 393 x 330 x 362 mm Mus?e du Louvre, Paris Like Goya G?ricault turned to printmaking, choosing the new technique of lithography to reach a popular audience. There is pity in his lithographs of the wounded returning from campaign, above all in The Retreat from Russia. These exhausted soldiers stand for an entire nation; but that they have not lost their pride is clear from a companion print, in which a one-legged veteran defiantly shows off his campaign medals to a slouching Swiss guard outside the Louvre, forcing him to present arms. Author: G?RICAULT, Th?odore Title: Swiss Guard and Wounded Veteran Form: graphics , 1801-1850 , French , other
68225 sylvius malning av exotiska besokarese  sylvius malning av exotiska besokarese   se
67286 Szermentowski  Szermentowski   Description Bydlo na pastwisku by J??zef Szermentowski.jpg Polski: "Bydło na pastwisku" Date Source http://pinakoteka.zascianek.pl
49614 T.v. This average manuscript am exposing how Alexandria guddar Later generation in Persia was considering Alexandria wrap somen halvgud and Shelf him  T.v. This average manuscript am exposing how Alexandria guddar Later generation in Persia was considering Alexandria wrap somen halvgud and Shelf him   mk199
62429 Tabernacle  Tabernacle   1283 Marble Santa Cecilia in Trastevere, Rome The tabernacle on the altar of Santa Cecilia in Trastevere seems to be complete in its state of conservation. According to a recently discovered inscription, it was made by Arnolfo di Cambio in 1293. It forms part of the final moment of an ample and consistent effort at restoration of the entire decorative system of the church of Santa Cecilia, which included the well-known Cavallini frescoes, the liturgical furnishings, and sculptural ornament. The obvious Gothic 'Rayonnant' character of this revision has recently been attributed to the patronage of a French cardinal, while the direction of the whole project has been attributed to Arnolfo, who, working in the last decades of the thirteenth century in the service of the major families, the new preaching orders, and the popes, without a shadow of doubt dominated the panorama of the most innovative Roman trends in the artistic field. The tabernacle repeats the structural complex and decorative scheme of the San Paolo fuori le Mura tabernacle but simplifies and strengthens the Gothic forms, creating a new proportional balance between the parts and revoking the concept of the whole in light of a more mature assimilation of the classical references. With respect to his first interpretation in Rayonnant taste, here Arnolfo reduced and redirected the ascending elements of the base of the cupola and the pendentives of the crown, and in addition attenuated the vertical soaring of the four gables and the trefoil arcades of the baldacchino, but created a notable development in the height of the supporting columns, to which he also added the original solution of cube-shaped dosserets, decorated with Cosmatesque mosaic. Author: ARNOLFO DI CAMBIO Title: Tabernacle , 1251-1300 , Italian Form: sculpture , religious
35409 Tahiti Revisited  Tahiti Revisited   mk102 1776 Oil on canvas 92.7x138.4cm
35413 Tahiti,bearing South East  Tahiti,bearing South East   mk102 c.1775 Oil on panel 24.1x45.2cm
48826 Takmalning in Save kyrka,Bohuslan  Takmalning in Save kyrka,Bohuslan   mk187 1704 Oils pa tra Motivate am failing hamtat from Luneburgerbibeln pressure 1672 Bergen in background had suit to they bohuslanska klippornas double pious.
48774 Takmalning pappa  Takmalning pappa   av ta aterger Stefanslegenden.Omkring 1275-130
74407 Tallinna vaade Piritalt  Tallinna vaade Piritalt   English: Oil on canvas. 35.5 x 71 cm. Eesti: "Tallinna vaade Piritalt" (19.- 20. saj. vahetus) Materjal: Õli, lõuend Mõõdud: 35,5 x 71 cm cyf
64229 tapestry of courtly life  tapestry of courtly life   late fifteenth century paris, muse'e de cluny
67368 Targ w Opatowie  Targ w Opatowie   Year 1845(1845) Technique Oil on canvas Dimensions 56 ?? 76.4 cm (22.05 ?? 30.08 in)
72308 Tatra Mountains  Tatra Mountains   Date 1870(1870) Medium Oil on canvas Dimensions 90 X 127 cm (35.43 X 50 in) cyf
56801 Tax money  Tax money   mk250 Florence, Italy, Ya Kami Mary's church in Chapel Bulangkaqi. About the year 1427. Frescoes, 246.4 x 596.9 cm
42551 Teaching Buddha from Sarnath  Teaching Buddha from Sarnath   MK169 india Gupta 5e century n. Chr. Sand stone height 157.5cm Museum of Sarnath
73875 Teekond Noa laeva  Teekond Noa laeva   Date ca. 1650(1650) Medium Oil on canvas Dimensions 94 X 122 cm (37.01 X 48.03 in) cyf
52605 Tempera and leaf on panel  Tempera and leaf on panel   121 x 96,5 cm
48533 Temple and flowerbed in the garden of the Hon  Temple and flowerbed in the garden of the Hon   mk190 Richard Bateman at Grove House
56735 Temple of Hera  Temple of Hera   mk250 Italy's Sturm Bo Ai, about 460 years BC.
48875 Teresa Vandoni,italiensk sangerska wide royal Opera in Stockholm  Teresa Vandoni,italiensk sangerska wide royal Opera in Stockholm   mk187 1797 Oil slick pa screen 178x150cm
71056 tete de femme  tete de femme   mk289 besancon musee des beaux arts
39829 Thakur Daulat Singh,His Minister,His Nephew and Others in a Council  Thakur Daulat Singh,His Minister,His Nephew and Others in a Council   mk153 ca.1820 29.1x39.4cm
49702 That a unusual ocb nagot forbryllande cartoon of Bruegbel d a am exposing battle as gar among quay ocb they with latinsegel riggade superb galeonerna  That a unusual ocb nagot forbryllande cartoon of Bruegbel d a am exposing battle as gar among quay ocb they with latinsegel riggade superb galeonerna   mk203 They langa diagonal spirorna pa vessel to blemish give a assignment if unborn riggar
49745 That aquarium of the American fregatten Constitution millings of command John Rogers,som had chosen benne as flagship anti Barbareskstaternas sjorovar  That aquarium of the American fregatten Constitution millings of command John Rogers,som had chosen benne as flagship anti Barbareskstaternas sjorovar   mk203 This vessel am failing the American people chart and raddades stamp upphuggning per a rousing poem of Olive Wendell Holmes
49731 That boljande tvatt am creating a stammer of bekymmerslos jolly as konstnaren Ozanne very whale bare fangat  That boljande tvatt am creating a stammer of bekymmerslos jolly as konstnaren Ozanne very whale bare fangat   mk203 Cannons avlossas,standar,flaggor ocb ensign blasphemy and sail flutter in the wind nar besattningen am grabbing anti gastritis ago a feast aboard
49728 That cartoon of Experiment Herring  That cartoon of Experiment Herring   mk203 am exposing vessel to boger with a flag pa mizzen mast as designates that the back a royal fleet
49724 That etching of Ozanne,kalled Drawing of one vessel forelagges king of they French provinserna place if cage Choiseul wonder Ludving XV pa one stralan  That etching of Ozanne,kalled Drawing of one vessel forelagges king of they French provinserna place if cage Choiseul wonder Ludving XV pa one stralan   mk203 Vessel had sometimes provinsnamn sasom Artesien and Bourgogne.
49615 That French malning am exposing how Alexandria and his medelhavssjoman flush arrived in switch with tide wide river Industry lower bore  That French malning am exposing how Alexandria and his medelhavssjoman flush arrived in switch with tide wide river Industry lower bore   mk199
49638 That guldlama - the usual lastdjuret in Sydamerika am exposing one test pa collect guldmideskonst  That guldlama - the usual lastdjuret in Sydamerika am exposing one test pa collect guldmideskonst   mk199 They anvande metal only ago ornamental breath
49727 That luxuriant ocb in bow pitch allegorise marinmalnig of Ludolf Backbuysen  That luxuriant ocb in bow pitch allegorise marinmalnig of Ludolf Backbuysen   mk203 paminner if that might ocb macaw be added the nation as bare berravalde to sjoss
49556 That malning from a average bonbok am describing a pious woman motel with the sacred The virgin  That malning from a average bonbok am describing a pious woman motel with the sacred The virgin   mk201
49711 That malning of Creditable Cornelis Vroom am exposing  That malning of Creditable Cornelis Vroom am exposing   mk203 The lucky aterkomsten to Amsterdam the 19 a hiding 1599 of Jacob cornelis motor van Neck s second expedition til lOstindien
49726 That malning of the younger motor van they Velad  That malning of the younger motor van they Velad   mk203 am exposing Gouden Leeuw,eller The Oriole Lejonet,den depend bollandske admiral COrnelis Trombone Flaggskepp,som am laying in Amsterdam to trangsel full bamn am failing 1680
49631 That maps am exposing the vague as Stamp Kite expedition 1583 taken anti Hispaniola  That maps am exposing the vague as Stamp Kite expedition 1583 taken anti Hispaniola   mk199 Cartagena and St.Augustine in Veil.
49713 That maps over Still sea tillskrius Hessel they Gerritsz  That maps over Still sea tillskrius Hessel they Gerritsz   mk203 Avenue if the am failing langtifran fullstandig am exposing the in large what husband candied til in this omrade dren about 1630
49678 That prospect stamp Mc Murdosundet millings of dr Edward Wilson  That prospect stamp Mc Murdosundet millings of dr Edward Wilson   mk199 som each scientific partners in Scotts go bathing expedition
49760 That valijakt - scene of Louis tbe Breton,en sjoman - artist as after all 1866,praglas by an sallsynt exactitude and observationsformaga  That valijakt - scene of Louis tbe Breton,en sjoman - artist as after all 1866,praglas by an sallsynt exactitude and observationsformaga   mk203 A American valfangare am laying bees in British farvatten,under Royal Navys vacancies oga,medan bennes battle forsoker that weather sits loot said nare coast
49751 That vy over Nelson Sea pa New Zealand millings 1841 of T.Allom and am combining a charmfull konstnarlig maybe with a very grand precise in detaljer,s  That vy over Nelson Sea pa New Zealand millings 1841 of T.Allom and am combining a charmfull konstnarlig maybe with a very grand precise in detaljer,s   mk203 Countless sadana konstnarliga evidence stayed accomplishment of expedition as bekostades of England.
49649 The 24 am failing ancient scotch sheet Mungo Park be in charge a of they flush expeditionerna to Africa 1795  The 24 am failing ancient scotch sheet Mungo Park be in charge a of they flush expeditionerna to Africa 1795   mk199 His moths each that find Nigers calling and estuary
35447 The Adelphi under Construction  The Adelphi under Construction   mk102 c.1771 Oil on canvas 46.4x60.3cm
27363 THe adoration of  the shepherds  THe adoration of the shepherds   mk56 oil on panel,arched top Attributed to Orazio Samacchini
27389 The adoration of  the shepherds  The adoration of the shepherds   mk56 oil on canvas Studio of jacopo da ponte,called jacopo bassano
27366 The Adoration of the magi  The Adoration of the magi   mk56 oil on canvas Venetian School,circa 1600
63959 The Adoration of the Magi  The Adoration of the Magi   1380-90 Tempera on wood, 50 X 31 cm Museo Nazionale del Bargello, Florence The left-hand panel of this diptych depicts the adoration of the Infant Jesus by the Magi; the right-hand panel represents the Crucifixion. This is another of the pictures whose origin has been the subject of considerable speculation among scholars, for the international uniformity which is the hallmark of the International Gothic style has led to the picture being ascribed to Avignon, Paris, Franco-Flemish, Austrian and Bohemian artists. Perhaps the closest analogy can be found in the works of the Master of Trebon (the folds of the Virgin's mantle, undulating in a similar manner, or the insubstantial birds on the roof of the Bethlehem stable). On the other hand, these details could be coincidental, or derived from a common source; until the coat of arms on the ornate bed can be positively identified these questions will remain open to speculation. Seated on her canopied bed, the Virgin receives the homage of the Magi, who are taking off their crowns. In the upper left corner we can see the Magi and their horses assembling from different directions. In the bottom right corner Joseph is sitting; when the guests arrived he was warming his feet at a brazier. Now, like the Magi, he, too, takes off his headgear with a humble gesture. (If we want to find the prototype of the figure, we could see it in the representations of the month of February in calendars of books of hours: the figure of an elderly man warming himself at the fire was the personification of February.) The picture is a strange mixture of marked condensation and of anecdotal details. The story is circumstantially told by merely putting the most important characters and decor side by side. The wealth of small objects set beside one another gradually overlap and cover the whole surface of the picture. The Virgin's canopied bed is a throne too, while its top has a double role and is also the roof of the Bethlehem building crowded with dovecotes. The space left empty by the structure of the bed-throne is filled up by a bastion. Space, as a substance, is not conveyed; the motifs are linked with one another in the way the words of a sentence are. The star, for example, is given emphasis by the small spot of nocturnal darkness surrounding it and separating it from the golden background. , Artist: UNKNOWN MASTER, French , The Adoration of the Magi (Bargello Diptych) , 1351-1400 , French , painting , religious
63962 The Adoration of the Magi  The Adoration of the Magi   44 x 30 cm Musee Bonnat, Bayonne , Artist: UNKNOWN MASTER, French , The Adoration of the Magi , 1451-1500 , French , painting , religious
63966 The Adoration of the Magi  The Adoration of the Magi   1420 Tempera on pine, 100 x 81 cm Hessisches Landesmuseum, Darmstadt The picture is the right-side wing of a triptych (the Ortenberg Altarpiece), the central panel of which represents the Virgin and other members of her family, whilst on the left-hand wing the Nativity is depicted. The relatively large-size work, which used to decorate the high altar of the parish church of Ortenberg, was painted by a master of the Middle Rhineland, who was influenced by the Frech and Italian art of the period. The scene takes place in front of a golden background, in a narrow space, in surroundings which look like stage sets. The Virgin is seated on a red bed on the left in the tiny hut-small in proportion to the size of the figures-in Bethlehem and, holding the naked Infant on her lap. She receives the homage of the Magi who are arriving from the right. Strangely enough, the shed is attached to the dark rocks, whereas on the right it is directly adjacent to a tower in the town. With a na'ive ingenuity the painter represented the hut as if seen from above, while the tower is depicted from a point of view below it. Thus he was able to give the impression that the latter was higher. Without using this solution he would have been obliged to cut the tower into two and could not have shown the characteristic ridge of its roof. Or else, he should not have allowed the hut to reach the frame-and in this case what would have filled up the top left corner of the picture? Evidently it was important for him to fill up the whole surface of the picture. That is why he painted the jug above the bent back of Joseph, who is squatting in the left corner, and this is the purpose, among others, of the little red table and the bread-basket which is hung on the rocky wall. It is with infinite humility and devotion that the two kneeling Magi kiss the hand and the foot of Jesus. As an expression of their veneration they also take off their crown. The one nearer to the spectator puts it on the large table, a round object rather similar to the haloes, as if he were solemnly placing a gift on an altar. This symbolic meaning of the table is perhaps stressed by the bread-basket hung on the wall above the head of Jesus and which refers to the Eucharist. The frame, like a setting of some precious stone or noble metal, encloses the picture and contributes to its markedly sublime and solemn mood. Indeed, the painting is full of representation of fine examples of the goldsmith s art, e.g. the crowns, the gold sword and the huge, heavy haloes which resemble golden dishes, and what is more, the technique of the painting itself has affinities with the work executed by goldsmiths of the period. The silver underpaint of the garments lends a metallic sheen to the translucent, enamel-like top layer of yellowish paint. , Artist: UNKNOWN MASTER, German , The Adoration of the Magi , 1401-1450 , German , painting , religious
65022 The Adoration of the Magi  The Adoration of the Magi   1505 Oak, 57,2 x 50,7 cm Wallraf-Richartz Museum, Cologne In contrast to most of the large-scale and ceremonious images of the Magi in Cologne this small-format picture depicts an intimate and familiar scene. Idealism is combined with realistic observation. The artist of the panel is referred to as the Master of St Severin. , UNKNOWN MASTER, German , The Adoration of the Magi , 1501-1550 , German , painting , religious
29815 The Adoration of the Magi and The Crucifixion  The Adoration of the Magi and The Crucifixion   mk67 Panel 21 1/4x41in Bargello,Museum
27388 The adoration of the shepherds  The adoration of the shepherds   mk56 oil on canvas Venetian School,18th Century
43455 The Ages of man was a subject of meditation  The Ages of man was a subject of meditation   mk172 Favored by the Baroque culture

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